CALIBRACION Y PERFILACION DE MONITORES PDF

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Los botones se encuentran debajo. This also means knowing what controls you want the front panel of the printer to control and knowing those settings so you can decide later what printer properties you want the RIP to control.

Most of the printer options are accessible in the RIP and if they are set will override what the front panel displays.

Profiling as a separate training session-classroom. Contact your Onyx representative for further information. Manage Media Types — Create new media and modify existing ones. Modify Ink Configurations — Set the ink type e. Enable and Disable Dot Patterns and Resolutions — Control the use of dot patterns and resolutions Also, it gives you absolute control over your color via: Ink Restrictions — Ensure placement of the proper amount of ink and prevent over-saturation of ink combinations Linearizations — Precisely determine the desired ink density for your printer.

It walks the user through each of the steps of the process WITH visual tools to help you learn as you go. Colorimetro Mide color Densitometor Mide Densidad de color Spectrophotometor Mide el espectro de color completo When profiling-this is the first area you visit. You must set up you device to read in patches and activate the printer capabilities you want to use. You must do this in order to read in swatches, most users only do this once.

The swatches that are printed for recalibration, linearization, and profiling depending on the device you have selected. Remember to calibrate your device. If the device is not listed Clic Add.

If the device is listed go to Step 6 Select the device that you want to add and Clic Next Select the port and Clic Next If you select a device which reads information from a file such as the Spectrofiler from File or a Density Text Fileyou do not need to select a port.

Uses average of multiple readings to increase accuracy. Choose Tran missive or reflective readings Transmissive readings use a light which passes through the calibration strip example: A patch is a color square of which the exact measurements of CMY and K are known A swatch is a set of patches used for calibration and profiling Haga Clic en: Check which options you plan to use. Set when creating a profile-these are your options to make available later in the process, set these before profiling.

Stochastic Sampling Dot pattern analysis and generation using locations within the area of a pixel wherein the pixel is perturbed or jittered This produces an average of the color for an area Stochastic generation methods are generally much faster than other methods, at some expense in shadow and highlight detail FDRP Diffusion – Fixed Dot Random Placement Diffusion Onyx patented dot random placement Notes: Ink Configuration — For most printers, this field indicates the actual inks loaded on your printer.

Four color and six color combinations with light inks e. CMYKcm should be set as four color CMYK because Although there are multiple levels of color, there are only four colors to process for instance, although light cyan is a separate ink, it is still the color cyan Spot Color — This dialog allows you to select a color to represent a spot ink when viewed in Preflight.

Media Group Ink Config ii. Resolution and Dot Pattern Media Group: Is the name of your media, could be a part or descriptive name More about modes…Create a new Mode for an existing media. When you create a new mode, you can only select from existing medias.

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Up to this point you are naming the media and basic mode settings. You must always create a new mode Create a New Media The difference between a konitores and a mode is the media is going to be the first in the hierarchy because the media is just the material name.

Media is the material. A mode just defines different printer settings for the same media. And that only skips calibravion first steps.

Media Options as part of Mode or part of Media. So by having the Media group is the ink configuration it makes it easy to identify Medias that work with what you have loaded in your machine. Our media name is our material name or whatever is descriptive to use, like a part or manufacturer name to help us categorize it. This displays those settings we determined in our printer capabilities. Pefrilacion example, number of passes 4pass full overlapBi-directional, go to advanced settings if the printer has them available.

Media Thickness or heater settings or any thing that is on the front panel of the printer that ONYX has access to controlling.

Sometimes there are things the RIP controls and things the printer front panel controls. If we enable a selection here ONYX will override what the printer has selected. If we choose to not make a selection here and set the option on the front panel of the printer that will take precedence. This I something you might do when you first load the media as part of the printer maintenence and optimal printing conditions. If you want to determine what your front panel setting are set them there and know what they are, document them as part of your profile, or know when you get to media option here, you know what you want to control in the RIP, let the printer driver options take control over certain capabilities, or not.

QuickSet, Preflight, and Layout. Again, these options are those you selected from the printer capabilities. If I need to print it again, then I can.

This is determining our relationship between our small, medium and large drops. Print and analyze output, select on screen as shown with a red box to make desired selection. On the negative side we end up using more small dots and less large dots. Use Basico o Avancado Se pude adelantar un paso para imprimir un imagen de prueba.

Calibración y perfilación de monitores: conocimientos fundamentales sobre la …

Estas son sugerencias At this point you can go the Basic route and select your ink restrictions on screen Or go the Advanced route by clicking on calibracioh tab. Analyze output for max ink coverage to expand gamut ii. Visual Method or Density Method i.

Focus on 2 color combinations for balance of RGB iii. During Ink Limit step 3 and 4 color combinations Basic and Advanced tabs, if your doing a four color printer, there is no reason to use advance.

You have image size and you have the option to rotate or print the label, you can set the number of copies in RIP-Queue, if you want to print multiples over the length of the printer. As opposed to the subjective visual method where you look at it with your eyes and just pick. Look perfialcion areas of transition or jumps in values.

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calibrcion And leave magenta a or go done to As you can tell, there is the technical side of it, the visual side of it and the balance you want to keep in mind when determining ink restriction. Visually you want to stay as high as possible, technically you want to be close to your target density, and balance wise you want to be in range so that no one channel is stronger or it will come out in your 3 color black gradients.

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Even if you print the basic swatch, if you decide to hand enter a more refined value, you could use the Advance tab to access those channels and input your value. You should only use transitiona controls if you cannot achieve a smooth gradient.

Esto da una variance de 3. If you look at something too fine, you can’t see the forest for the trees. You may be motivated to decrease the number of patches, if you have a very textured media. Trim output from printer and follow on-screen instructions for your device. Alto contrasto o Balance de gris Curvas de densidades Basicas Buen contraste para imagenes brillantes.

Use Advacned Gery if you need to hit a specific target density for grey or if monutores output is your purpose. One thing to note for 6. Basic Density has built in NFactor of 2.

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Just check this tab for spikes in the curves. Busce que no hay mucha saturacion. Analice entre Utulice limites basicos para un limite para todos los canales Utulice limites avancados para usar un limite para cada canal 7 limites Limtes de tintas Nunca deben de ser menos de 2.

Controls maximum total ink, artefacting in four-color combinations Ink Limit Print Swatch and look at the output. Look at the 3 color gradient, if you see a shift in the tonal, go back and do the scale trick in Calibration. Depends on of you want a green gray or brown grey.

Look betweenthis media is so porus that I can choose 3. Our purpose is the most usable profile of the general user. Displays increments up to a total of all inks combined so you can determine how much combined ink is too much for your media. Tinta light es el problema, regrese ha restriccion de tinta. Si colores son gris en valores menos de 2. The numbers to the left of the ink labels indicate which field in the Advanced Ink Limit dialog corresponds with that row or rows.

If there is more than one row that corresponds to a field in the Advanced Ink Limit dialog, note the lowest number at which you achieve complete coverage without artefacting. Use the lower middle and right-hand sections of the Ink Limit swatch to determine which field in the Advanced Ink Limit dialog can be adjusted to resolve artefacting issues. Increasing Black Ink Compensation increases black so that gradients progress from light to dark in a more even manner. N Factor is the smoothness of the curve.

Are my 2 and 3 color balances good are my ink limits set too high. El ICC es Basado en los resultaos de cada paso anteriormente. If you still have too hight an ink limits, rather than go back to the ink lmits you can do that here wioth the slider.

Total Ink Limit Tip. If you actual ink limits it too high you can correct with the Build options.

Avoids cutting off the label twice. Although they are converted for use with 6. Expanded gamut, improved rendering intent. You now get the full gamut of any inks and media.