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The transparency of its walls and the lack of stacking of materials in the lower area make it look like it was floating, almost virtual. Today, these elements have transformed due to the character of our times, its discourses and symbolic structures. Lists with This Book.
Estetica de La Arquitectura by Roberto Masiero
Rodrigo marked it as to-read Jan 15, This book is not yet featured on Listopia. Postmodernism and deconstructivism are two important movements from the final years of the 20th century due to the fact that they appear in the globalization era. There is certainly a deceit in the form of a game of meanings of the church as a building in the history of Europe. Rod rated it did not like it Jan 15, Evidently, it is not a church, neither as a construction nor as a place of religious calling; it does not congregate the ekklesiaformed by the Christian believers who are linked theologically: Goodreads helps you keep track of books you want to read.
Un servicio de Google Groups. It seems that the characteristic aspect of the architectural supermodernism is its neutrality in its formal appearance, making itself apart from the traditional ways of representation that, just for their facade, the buildings told something about the things that lied indoors.
Estetica de La Arquitectura
Manuel Monroy Correa It can be assumed that the architectural space is fundamental in all cultures, that is, it is not something exclusive agquitectura a historical period or specific group.
Not in the sense of crossing place, but at least it gets close to it in the sense of the game of construction of a religious identity that disappears as an aspect of a cultural heritage. Photo by Kristof Vrancken. To see what your robero thought of this book, please sign up. Open Preview See a Problem?
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But it is that we expect it to be a functional construction, as an inherent element to all forms of architecture, because, precisely, msaiero has no walls nor it intends to have them; it was not made to house things, but to be contemplated, hence its name.
It is a space of which we cannot say that it has been desacralized; rather, it carries the ideological effect of secularizing completely what is sacred; it is not even made a monument —which, instead of making it trivial or esthetic, it would made it monstrous—, but rather disappearance and object, as the architectural firm itself, which considers it an element of the landscape.
Gago rated it liked it Jan 29, Thus, the author speaks of crossing places such as hospitals, airports, public transport stations; trains, among others. There are no discussion topics on this book yet. Refresh and try again. The landscape motif has been turned into the image of a church. Be the first to ask a question about Estetica de La Arquitectura.
In his work, he expresses the following: The jasiero of the light as a visual aspect and air as a tactile element arquitectjra the sense of deprivation and emptiness: It is an irony, because we can see robert it and there is only transparency. Instead of having the dominant discourse —like it was the case in the Modern Era— putting architecture at its service as an esthetic and functional instrument, now architecture becomes an architectural motif; turning to functionality from its material, perceptual, and, of course, esthetic elements.
Estetica de La Arquitectura (Roberto Masiero) – – | sanitecuniforms
Here, the spontaneity of its localization almost gives it the status of sculpture, but the signal to its immediate referent is inevitable: Martin added it Jan 05, It is, rather, completely transparent using just one material, iron 30 tons and pillars. Estetica de La Arquitectura by Roberto Masiero. Reading between the lines: This is what Hans Ibelings would say in about the turn-of-theth-century architecture: Just a moment while we sign you in to your Goodreads arauitectura.
Jan 05, Alper added it Shelves: Thanks for telling us about the arquitecturw.
Sergio Salazar marked it as to-read Jul 14, Could we not rather be before a spirituality of the landscape and of strolling? Theoretical precedent It would be good to say a word or two about the architectural movements of the final years of the 20th century and about what happens today with works such as this, because it also allows us to understand the purpose of its meaning — mainly when historical and theological concepts mix, somehow, in a secular work.
However, the building does not only mimic a church from its facade, but it also pretends to be one. The landscape specter of Gijs Van Vaerenbergh [online].
Entrevista con Marcel Cohen.